(…) it’s a very different kind of Radiohead record. Liberated from their self-imposed pressure to innovate, they sound– for the first time in ages– user-friendly; the glacial distance that characterized their previous records melted away by dollops of reverb, strings, and melody. From the inclusion and faithful rendering of longtime fan favorite “Nude” to the classic pop string accents on “Faust Arp” to the uncharacteristically relaxed “House of Cards”, Radiohead’s sudden willingness to embrace their capacity for uncomplicated beauty might be In Rainbows’ most distinguishing quality, and one of the primary reasons it’s an improvement on Hail to the Thief. (…) [Pitchfork Record Review]