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Neil Young-Old Man (rare acoustic live footage)
“Old Man” Dal leggendario concerto live al Massey Hall di Toronto del 19 gennaio 1971. Solo, acustico.
Amazon Product Description:Live At Massey Hall, the legendary concert from Neil Young, is finally officially released, and in highresolution stereo, in this CD+DVD package (also as a solo CD). The acclaimed Toronto performance features classics “Old Man” and, in a suite,...
Chi ha detto che il vinile non lo usa più nessuno?
Slideshow del pool di sleeveface su Flickr
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Ai primi di marzo torna lo spirito inquieto di Nick Cave
Ironico, quasi comico e senza pianoforte, il nuovo Nick Cave parla con i morti e fa presagire un ritorno a sonorità abbandonate ormai da un bel pò d’anni. Sentiremo…
DIG, LAZARUS, DIG!!!
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Radiohead: In Rainbows. Altra recensione bella da leggere (da Pitchfork)
(…) it’s a very different kind of Radiohead record. Liberated from their self-imposed pressure to innovate, they sound– for the first time in ages– user-friendly; the glacial distance that characterized their previous records melted away by dollops of reverb, strings, and melody. From the inclusion and faithful rendering of longtime fan favorite “Nude” to the classic pop string accents...
The day the music industry died
“There is no money in recorded music any more, that’s why bands are now giving it away”[Times Online]
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Radiohead’s In Rainbows – a five-star review
“The new album may represent the strongest collection of songs the band has assembled for a decade.”[Guardian Unlimited]
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Nuovo “Open Web Media” o solo nuovo modo per far soldi?
Intrigante conversazione tra Chris Messina “The future of music, In Rainbows” + “Modern music economics: a fierce independent streak” e Steven Hodson “Being free doesn’t make crap any better“. Detto tra noi, i Radiohead non potevano trovare idea migliore per far conoscere il loro gran bel nuovo album.
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anche se tutto è diverso
sembra esser passato un soffio da quella sera al Notting Hill. La dolce Cristina è tornata portando con se La quinta stagione.
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New Moon by Elliott Smith – New York Magazine Pop Music Review
“Elliott Smith and Kurt Cobain were the great incorruptible rock artists of the nineties. They shared the mentality of outsiders, and refused to give it up even as their fame and talent earned them status as insiders. When Cobain killed himself in 1994, Smith was just emerging as a solo artist, a songwriter who used an acoustic guitar and sweet, aching melodies to convey resentment and self-loathing...